![]() ![]() Fine vocal melody, oppressive drums, blackened undertones and angry screams come together for a roller coaster ride of more than six minutes. This is where the probably poppiest moments of the entire record and uncomfortable anger, which is only discharged subliminally, meet. When the tempo picks up in the middle section, it’s all vain. One almost wants to unpack the post prefix while this crackling giant discharges itself successively. Blackened Death Doom spreads and collides with sweet melody. The nasty, guttural growls in “The Last Flower” show that there is another way. How this chorus discharges again and again burns in immediately. Davide Straccione sings fantastically, bridges the gap between classic metal singers and more modern sounds and lets all the threads come together. However, the powerful appearance with biting drums leads on the wrong track, because a melodic grenade quickly rears up, which immediately catches your ear. „The Loss Of Beauty“their fourth studio album, is no exception.Īfter a short intro, “Destination Woe” hits the ground running. Influences from Death, Black and Gothic still play a decisive role and fit harmoniously into the dark, melancholic mix. The Italian quintet remains more or less true to its three-year rhythm and at the same time consistently develops the melodic, multi-layered Doom sound. Consistency leads to resounding success, something like that sounds and reads the work of Shores Of Null.
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